A Viewer’s Guide: How to Watch Grand Hotel (1932)

“Grand Hotel…always the same. People come, people go. Nothing ever happens.” courtesy Pre-Code.com Grand Hotel took home the Best Picture Oscar for MGM in 1933, beating another MGM release, The Champ, as well as Samuel Goldwyn’s Arrowsmith, Fox’s Bad Girl, First...

Day 6: Order in the Court! The Classic Courtroom Movie Blogathon concludes (in extra innings)…

Oyez, oyez! Welcome to Day 6, the final day of our courtroom extravaganza! In the first five days we saw, among others, posts on Hitchcock worth knowing better (The Paradine Case), lynching (Fritz Lang’s Fury), Louise Brooks’s Lulu in Pandora’s Box, Kramer vs. Kramer,...

TCMFF 2016: Recap of Saturday, Day 3: Vitaphone, Reiner, Gould, Karina

From my comfortable perch back at my friend’s house in North Hollywood,  the intensity, mad dashes, glorious experiences, and occasional frustrations of TCMFF 2016 seem rather remote, Gentle Reader, but at this time a little over one week ago I was watching Dead Men...

Anatomy of a scorcher: Mary Astor on Filming the Steamy Kiss in Red Dust

Mary Astor’s memoir A Life on Film is fantastic—she’s a wonderful writer, and her sharp observations on the industry and what went on behind the cameras are fascinating and incredibly useful to anyone who writes about classic film. Astor writes of being asked by a...

Rising from the Ashes: Buster Keaton’s Most Amazing Stunt

Remember: If it bends, it’s funny. If it breaks, it isn’t. —Lester (Alan Alda), Crimes and Misdemeanors There was nothing funny about it when Buster Keaton broke. Keaton’s fall is legendary. Most of the time it’s told sketchily, and too often as if it were the end. As...